About
Hello! I’m a children’s book illustrator and freelance artist based in south-west London, UK. I work across publishing and editorial, and I also create vibrant art for kids’ décor and products.
I work using traditional and digital media and my art is largely character based, joyful and energetic. I’m inspired by the beautiful messiness of everyday life — the imperfect moments that make us laugh, connect, and feel seen.
I studied Fine Art and English Literature and have always had a deep love for storytelling — through words, pictures, and theatre. I love how stories can spark imagination, build empathy, and bring people together across ages and experiences. Book illustration allows me to combine these passions, crafting images that help stories leap off the page and truly connect with readers of all ages.
Before becoming a children’s book illustrator, I spent years in Marketing and Communications, helping businesses find the right words to tell their brand stories and connect with people. Now, I do the same through pictures—using illustration to bring stories to life and spark imagination in young readers. I’m so happy my doodles have finally escaped the margins of my notebooks!
I’m a self-taught illustrator, though I spent a brief time doing a foundation year at Central Saint Martins before taking a 20-year break from drawing. It wasn’t until I became a mum and rediscovered the magic of children’s books that I picked up my pencil again, determined to pursue my lifelong dream of illustrating for children.
My debut as a children’s book illustrator is The Will Shakespeare Mysteries, written by Kaz Penney—and I couldn’t be more thrilled to see this dream come to life.
My process
I start every project drawing freehand, usually with pen and ink, before using digital tools to add vibrant colour and texture. Most of my ideas begin life on stray bits of copier paper, and sketching is always my favourite part of the process — I love the freedom of embracing the unexpected.
Over time, I’ve learned to trust my intuition and let the subconscious take the lead when I draw. I’ve also learned to embrace imperfection — it’s often where the character and charm live.
I have a bit of a personal mantra: “No mark is a mistake.” In digital art, it’s easy to fall into the trap of endless undoing — but sometimes, that polished version ends up losing all its spark. There’s something spontaneous and alive in a line drawn freehand with traditional materials — and I try to honour that in my work. It has a life of its own.